THE TIMES ARE RACING

ADAGIO
In 1974, in her second season as Artistic Director in Wuppertal, Pina Bausch choreographed Adagio as the opening of a two-part piece. 50 years later, the Hamburg Ballet under Demis Volpi will reconstruct this seminal work and return it to the stage for the first time in decades. In a poetic situation typical of Bausch's works, the first movement of Gustav Mahler's 10th Symphony, played by the Hamburg Philharmonic State Orchestra, unfolds. In seemingly random encounters and seemingly everyday movements, dance and theatrical expression create a subtle drama of absorbing intensity. Bausch lets the dancers go through profoundly human states, whether rapture or despair, resistance or devotion.

VARIATIONS FOR TWO COUPLES
Variations for Two Couples is a classic Hans van Manen. The Dutch choreographer is a master at creating relationships full of intent and tension. The two couples which give the piece its title perform one after the other, alternating and observing each other. Each couple seems familiar with the other, even provoking each other playfully from time to time. The movement is neo-classical, strict and controlled, but occasionally interrupted by elements of ballroom dance or the flexed hands typical of van Manen. Van Manen's choreography from 2012 is elegantly erotic, simple and yet highly virtuosic, with an unerring sense of timing and a twinkle in the eye in all the right places. The atmospheric set and streamlined costumes were designed by Keso Dekker, a long-standing collaborator of van Manen with over 60 joint creations.

THE THING WITH FEATHERS
The title of the ballet is borrowed from the poem "Hope is the thing with feathers" by Emily Dickinson. The piece is a gesture of open arms, a tribute to individuality embedded in the belief in a community permeated by care and humanity. To Richard Strauss' "Metamorphoses", Volpi creates a touching interplay of sadness, joy and desire while optimistically illuminating the ephemeral nature of dance. Conductor Vitali Alekseenok describes Strauss' "Metamorphosen", a work for 23 solo string players, as a cloud of sound in which you immerse yourself and lose track of time. For him, Volpi's choreography is a visualization of the music: individual lines of sound combine with the form of the human body and reinforce each other.

THE TIMES ARE RACING
Ballet doesn't get any cooler than this! Justin Peck's eponymous The Times Are Racing provides an emphatic finale to this quadruple bill. Peck, Resident Choreographer of the New York City Ballet since 2014, clearly comes from the neoclassical tradition of George Balanchine. With "The Times Are Racing" he has created a brilliantly fresh and uplifting work. The dancers wear sneakers, which gives their movements a youthful spontaneity far from the balletic ideal. Peck’s choreographic language is permeated by fast-paced and complex footwork reminiscent of tap dance, which the choreographer studied as a child. Set to Dan Deacon's "America", Peck's work is an examination of his homeland, the vastness and the pace of the country, its hopeful ideals, but also the political reality of division. The colourful, pedestrian costumes by fashion designer Humberto Leon are occasionally adorned with political messages such as "Resist", "Unite" and "Act". Like the sneakers, the costumes invite the audience to identify with the dancers. The Hamburg Ballet is the first European company to present this ground breaking, iconic choreography by Justin Peck.